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Conversations on Open Education for Language Learning

Quechua revitalization in a new OER project

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Logo credit: Katherin Patricia Tairo-Quispe Creative Commons License

Texas Hatun yachaywasim lliwllapaq yachachiykunata qispichichkan COERLLwan kuska. Kaypitaq llamk’achkanku llaqtamanta yachakuqkuna, Runasimi rimaqkuna. Kaypitaq llamk’achkanku Texas Hatun Yachaywasi yachachiqkuna, yachaqkuna hinallataq Puca Puca Qqehuar comunidadkunapiwan Peru suyumanta. paykunam kuska llamk’achkanku kay yachachikuykuna qispichiypi. kay yachikuykunataq Runasimi rimaymanta hinallataq kay simi rimaqkunamantawan. Paykunam ruwachkanku videokunata, qillqakunata, uyarinakunata ima Runasimi yachanapaq. Kaykunataq churakunqaku COERLL chawpinta hamuq semestre.

English translation: Quechua Tinkuy is an open curricula project created by the University of Texas at Austin and COERLL. Currently Quechua graduate students from the university are developing and incorporating different materials such as videos, audios, and texts about the grammar of the language. The team includes faculty and Quechua graduate students, as well as associates in ‘Puca Puca’ and ‘Qquehuar’ communities from Peru, who are all working together to develop this curricula focused on Quechua language and culture. These materials will be uploaded next semester and people interested in learning Quechua will have access to this open curricula through UT COERLL.

Jermani Ojeda Ludena and Katherin Patricia Tairo-Quispe are the project leads. You can read more about their work to revitalize the Quechua language in this interview with Susanna Sharpe in Portal, the web magazine of LLILAS Benson Latin American Studies and Collections.

Indigenous languages in general are being affected by a colonial system that doesn’t value Indigenous knowledge and culture; for this reason we need decolonization and revitalization of the Quechua language. – Jermani Ojeda Ludena

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“Curahuasi district, Apurimac region” by Jermani Ojeda-Ludena

 

Grenzenlos Deutsch, an open German curriculum for the first year of language learning

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Grenzenlos Deutsch is a full-year curriculum intended as a no-cost alternative to current, more traditional textbooks in the field. It mixes materials rooted in real-world, contemporary communication scenarios, multimedia content, and online learning activities. The Grenzenlos Deutsch curriculum ensures that the topics of discussion in the language classroom are relevant to and reflect today’s world.

The curriculum was developed around four major goals:

1) to employ more diverse voices and real-world contemporary perspectives in the curriculum. For that reason, we include content areas on social and environmental sustainability, non-traditional families, and diverse expressions of “culture” and identity.

2) to address the skyrocketing cost of language textbooks and the lack of interactivity with traditional print texts. This online format provides these materials at no cost and builds interactivity into the web-delivered curriculum.

3) to explore new technological tools that make it possible to develop an interactive, student-centered learning environment. The curriculum is delivered as a website using WordPress and HTML5 tools in order to create a learning experience that seamlessly integrates both multimedia content and interactive learning activities. These activities lead students through their engagement with the content step by step and thus map out strategies for comprehension and language learning.

4) to address the lack of language-learner appropriate content that is publicly available. All of the digital content that was collected and created for the project is available for instructors and students who wish to use it to develop their own activities. Grenzenlos Deutsch is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Thirteen German scholars from around the world have collaboratively authored the curriculum with a shared vision to create learning materials that would represent the German-speaking world as we see it and as our students inhabit it, and that would emphasize diversity, inclusion, and social and environmental justice. The lead authors of Grenzenlos Deutsch are Brigetta Abel and Amy Young. Ron Joslin and Louann Terveer serve as the OER and Technical Consultants. The Board of Authors includes: Brigetta M. Abel, Macalester College; Erika Berroth, Southwestern University; Maureen Gallagher, National University of Australia; Adi King; Isolde Mueller, St Cloud State University; Simone Pfleger, University of Alberta; Elizabeth Schreiber-Byers, Library of Congress; Faye Stewart, University of North Carolina at Greensboro; Tessa Wegener, Middlebury College German Language School; Amy Young, Central College.

The Grenzenlos Deutsch editorial board is: Brigetta M. Abel, Erika Berroth, Angineh Djavadghazaryans, Maureen Gallagher, Adi King, Karolina May-Chu, Simone Pfleger, Elizabeth Schreiber-Byers, Faye Stewart, Tessa Wegener, Amy Young.

Grenzenlos Deutsch was made possible in part by a Digital Advancement Grant from the National Endowment of the Humanities and by the Mansergh-Stuessy Fund for College Innovation.

For more information:

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Brigetta (Britt) M. Abel is Associate Professor (NTT) of German Studies and Director of Writing at Macalester College in St Paul, MN. She is the co-lead author of Grenzenlos Deutsch.

 

 

Amy Young is Associate Professor of German and Dean of the Class of 2025 at Central College in Pella, Iowa. She is the co-lead author of Grenzenlos Deutsch.

Announcing a new textbook: Her Şey bir Merhaba ile Başlar!

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Editor’s note: the below post is from the introduction by Jeannette Okur to the Her Şey Bir Merhaba ile Başlar textbook and supplementary materials that she recently published with COERLL. This introduction carries a CC BY-SA license.

Hoş geldiniz! This set of openly licensed curricular materials is meant to guide learners from the Intermediate to the Advanced proficiency level in Turkish communication skills, while increasing intercultural communicative competence. Her Şey Bir Merhaba ile Başlar’s four units encourage learners to use the Turkish language to investigate, explain and reflect on the relationship between contemporary Turks’ socio-cultural practices, products and their perspectives on family, love and marriage, the environment, social activism, art, film and politics.

Her Şey Bir Merhaba ile Başlar is aligned with the ACTFL standards for Intermediate- and Advanced-level communicative skills and intercultural proficiency descriptors, and also reflects the University of Texas at Austin’s Department of Middle Eastern Studies (and my personal) commitment to blended instruction and the Flipped Classroom model.

One main premise of Her Şey Bir Merhaba ile Başlar is that learning a foreign language should focus on learning language in use. Thus, all activities are guided by real-life, plausible language situations: How would native and non-native speakers use the vocabulary, grammar and sociolinguistic rules in everyday contexts to make sense of what others tell them and to make
meaning themselves?

Another important premise is that curricular materials designed to help college-age or adult learners progress from the Intermediate to the Advanced proficiency level must:

  • Move from the personal realm to the societal realm in terms of content, vocabulary, text forms and discourse.
  • Provide regular opportunities for practice of the language’s “building blocks” (new vocabulary and grammar structures) and for higher order thinking tasks.
  • Balance the four communicative skills.
  • Balance seriousness and fun!

A final premise is that culture and language are fundamentally intertwined, and that culture is not a separate skill set to acquire, but rather the foundation of all language use. My colleagues at COERLL and I also believe that there is no one “target” culture, but rather that communities have a variety of subcultures, with different life experiences, practices and preferences. Therefore, we expect that the process of “learning Turkish” involves discovery about ourselves, our own cultures and assumptions as well. In the Her Şey Bir Merhaba ile Başlar units, learners will find multiple opportunities to reflect on their own perspectives as they strive to understand the viewpoints reflected in the varied Turkish examples they encounter.

Each unit will:

  • Introduce learners to culturally and socially significant phenomena in Turkey today in order to hone their cultural analytical skills through tasks that foster reflection, comparison and articulation of findings.
  • Introduce learners to a variety of authentic print, audio and audio-visual materials aimed at native Turkish audiences, guiding them to use (and reflect on) the reading, listening and viewing comprehension strategies needed to understand these Advanced-level texts.
  • Engage learners in active recognition and repeated practice of new vocabulary and grammar items.
  • Guide learners through practice of oral and written discursive strategies specific to the Advanced proficiency level.

For more information:

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Dr. Jeannette Okur has coordinated the Turkish Studies program at the University of Texas at Austin since 2010. Drawing upon extensive experience teaching not only Turkish, but also German and ESL, she continues to develop new curricular materials for Turkish language instruction at the Novice, Intermediate and Advanced proficiency levels.

Announcing a new textbook: ClicaBrasil!

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Editor’s note: the below post is the introduction by Vivian Flanzer to the ClicaBrasil textbook that she recently published with COERLL. The introduction carries a CC BY-NC-SA license.  

ClicaBrasil, the web-based Portuguese program developed and in use at the University of Texas at Austin since 2010, is a media-rich Open Educational Resource (OER), which requires neither password nor fees. An OER is distinguished from commercial materials by its open copyright license (Creative Commons license). Users may adapt the original materials and share their adaptations with others, but must credit the original content and its author.

ClicaBrasil was designed to teach the Portuguese language in the context of Brazilian culture to intermediate and advanced language learners. It can be successfully used either in classroom settings or for autonomous learning. The website and the new textbook comprise an open curriculum that includes seven units based on culturally rich literary texts. In addition, the curriculum contains 157 authentic and unscripted videos of Brazilians from all regions and sectors of society speaking about their lives, their country, and topics that arise from these readings. Each unit contains hundreds of activities that hone language skills while raising awareness about contemporary Brazilian society. The activities are accompanied by a helpful answer-key. ClicaBrasil also provides a grammar bank with concise explanations about verb tenses and conjugations as well as a vocabulary list for each chapter. Designed to accompany the website, the ClicaBrasil textbook is downloadable for free in PDF format and is also available for purchase as a print-on-demand book from Amazon and Lulu.com.

Tips for the Learner

Each unit has four sections with many activities: Pano de fundo (Backdrop), where you will be introduced to the unit’s specific socio-cultural scenario; Leitura (Reading), with glossaries and tools to help you understand the text; Gramática (Grammar), where you will learn and review grammar topics in the context of the readings and the videos; and Aproximando o foco (Zooming in), where you will have the opportunity to explore and reflect more extensively about aspects of Brazilian culture and society that arise in the units.

Tips for the Instructor

There are several ways to use ClicaBrasil. I encourage you to personalize these open materials according to your students’ needs. As this is an OER, you can edit and remix its content, crediting the original source and author. Feel free to skip a unit or a section, or to do them in a different order. And if, for example, you think a composition activity would make more sense in your course as a class discussion, go for it! It is always a good idea to select which activities you will do in class (as a group, in pairs, or individually) and which you will assign for homework. I suggest you ask your students to check the answer-key before submitting their homework, so they can clear up any questions in class. Some activities offer “suggested answers” because they reflect personal views or subjective opinions. My students have reported that the “suggested answers” have inspired them to discuss the lessons in class after doing the homework.

I have had a lot of fun reinventing the way I teach with ClicaBrasil. I hope you will too.

For more information:

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Vivian Flanzer Vivian Flanzer was born and raised in Rio de Janeiro, Brazil, where she spent most of her life. She coordinates the Portuguese Language Program at the Department of Spanish and Portuguese of the University of Texas at Austin since 2001. She has a B.A. in Communications; an M.A. in Anthropology from the Museu Nacional of the Universidade Federal do Rio de Janeiro; an M.A. in Foreign Language Education from UT-Austin; and is completing her Ph.D. in Iberian and Latin American Languages and Cultures at UT-Austin.

Open Resources for Indigenous Languages

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Photo credit: “Nahuala huipil” by Sergio Romero for “Chqe’tamaj le qach’ab’al K’iche’!”, licensed under Creative Commons License

2019 is the International Year of Indigenous Languages, as established by UNESCO. The goal of this year is to increase support for, promotion of, and access to indigenous languages. UNESCO suggests that one approach to this goal is to “develop new and open educational resources to facilitate teaching and learning in indigenous languages”. (You can read the other suggestions on the program website.)

Since we at COERLL focus on open educational resources (OER) for language learning, we are happy to see when OER are suggested as a way to support a movement. Open Creative Commons licenses, an essential aspect of all OER, make it easier for people to access and share important information in their community and with the world, while ensuring authors are always credited for their work. This will not be a solution that suits everyone, but there are many indigenous language teachers and organizations who have chosen to make their resources available under a Creative Commons license. The list below is just a sample. Thank you to the authors of these resources for sharing their valuable knowledge.

Please share other openly-licensed indigenous language materials in the comments!

Fijian

Na vosa vakaviti – A Fijian language children’s activity book of word searches, colouring pages, and stories published by the Museum of New Zealand Te Papa Tongarewa. Licensed under a CC BY-NC license.

Indigenous languages of Canada

Indigenous Storybooks makes the text, images, and audio of stories available in Indigenous languages as well as English, French, and the most widely spoken immigrant and refugee languages of Canada. It’s for children, families, community members, and educators. Inspired by Little Cree Books. Licensed under a CC BY-NC-SA license.

Iñupiat

Iñupiat Language Community site – Lessons, activities, and additional resources for the Iñupiat language developed by Chelsey Zibell at the University of Alaska Fairbanks. Licensed under a CC BY license.

Komnzo, Mauwake, Moloko, Palula, Papuan Malay, Pite Saami, Rapa Nui, Yakkha, Yauyos Quechua

Studies in Diversity Linguistics – A book series published by Language Science Press on individual less-widely studied languages (primarily reference grammars). The chief editor is Martin Haspelmath. Licensed under a CC BY license.

K’iche’

Chqe’tamaj le qach’ab’al K’iche’! – A multimedia K’iche’ curriculum in English and Spanish, comprised of 40 lessons developed by Sergio Romero, Ignacio Carvajal, Juan Manuel Tahay Tzaj, Mareike Sattler, et. al. with the support of LLILAS and COERLL at the University of Texas at Austin. Licensed under a CC BY license.

Māori

Te reo Māori pukapuka mahi – A free downloadable Māori language activity book for kids published by the Museum of New Zealand Te Papa Tongarewa. Licensed under a CC BY-NC license.

Nahuatl

Language faculty and graduate students supported by LLILAS and COERLL at the University of Texas at Austin are in the process of planning materials for beginning language learners of Nahuatl. Stay tuned to the blog for updates!

Sāmoan

Gagana Sāmoa Tusi o gāluega fa‘atino – A Sāmoan language activity book of word searches, coloring pages, and stories for kids, published by the Museum of New Zealand Te Papa Tongarewa. Licensed under a CC BY-NC license.

SENĆOŦEN

SENĆOŦEN Classified Word List – A list of over 3300 SENĆOŦEN words and sound files by Dr. Timothy Montler et. al. Licensed under a CC BY-NC-SA license.

General Indigenous Language Studies

Language Learning Assessment Tool – A guide for adult learners of Indigenous languages to self-assess their learning and progress written by Dr. Onowa McIvor and Dr. Peter Jacobs of NEȾOLṈEW̱, the Indigenous Language Research Network. Licensed under a CC BY-NC-SA license.

 

What other openly licensed indigenous language materials do you recommend?

From MSA to CA: A Beginner’s Guide for Transitioning into Colloquial Arabic

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Editors note: This is a guest blog post by Lina Gomaa, Arabic Instructor in the Department of World Languages and Literatures at Portland State University, about the Creative Commons-licensed textbook she wrote, From MSA to CA: A Beginner’s Guide for Transitioning into Colloquial Arabic. 

At Portland State University (PSU), the Arabic program is designed to teach Modern Standard Arabic ( MSA) for at least one year, after which the students can learn Colloquial Arabic (CA). Because of how the Arabic program at PSU is designed (similar to many programs in the USA), the importance of this book arises. This transition can be challenging for some students. The book targets students in NM (Novice Mid) who have studied Arabic for a year or more and aims to help them advance to IL (Intermediate Low) according to the Oral Proficiency Interview standards by ACTFL, the American Council on The Teaching of Foreign Languages.

This book documents answers to questions from students in CA classes. Its goal is to transition students smoothly from MSA to CA, giving them confidence to explore both varieties while reaching the NH (Novice High) or IL level, navigate predictable social situations in CA, and utilize their previous knowledge in MSA to learn CA. The content and structure are based on my teaching experience and as an ACTFL OPI interviewer to assist students in their quest to speak CA with native speakers with relative ease.

The material, organization, topics and translations are based on comments, suggestions and ideas which students shared with me during teaching colloquial Arabic and Modern Standard Arabic. While creating the book, I wanted it to be a reference for students to “get a feel” for MSA and CA similarities and differences. This book introduces the Cairene Egyptian dialect; however, it also explains commonly used expressions in the Levant (Jordan, Syria, Lebanon, Palestine, and Israel). The goal is to introduce students to more varieties, allowing them to choose which dialect to specialize in and still be able to communicate with Arabic speakers. Although this book does not introduce Gulf dialects, many of the expressions and terms are frequently used in most of the Arab world, and many are derived from MSA I aim that this book will benefit students of Arabic at PSU and elsewhere, reduce their textbook expenses, and help them improve their CA speaking.

I also hope that the dialogues (recorded by PSU students of Arabic) will be enjoyable for learners and provide successful examples for others to follow.

The book is published on the PSU library page and the website of the Center for Open Education at the University of Minnesota. It has been downloaded over 1,000 times and counting all over the world by different universities, institutions, business and governmental bodies.

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Professor Lina Gomaa is an Arabic instructor at Portland State University.

Working with Students to Create a Textbook

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Editor’s Note: Guest blogger Julie Ward edited an anthology of Hispanic literature with her students, elevating the role that the students played in the class, and proving that the pedagogical affordances of openness are just as important as the low costs most often associated with openness.

I initially had the idea to work on OER because of the wonderful OER librarians at my campus. Their initiative to promote the adoption and creation of OER on campus inspired me to propose a project for my Introduction to Hispanic Literature and Culture course, a third-year Spanish course required for Spanish majors.

The course generally relies on fairly expensive and large anthologies. I thought that if I assigned texts that were in the public domain, and asked students to choose one particular text to study and prepare for inclusion in an online, open-access anthology, the Antología abierta de literatura hispana, they would have a richer research experience and really get to understand what literary studies are about.

This project would also give them the chance to practice their writing in Spanish, and to write for a much larger audience than a traditional classroom paper provides. Students knew that they had the option of submitting their work for inclusion in an open-access anthology, and that anyone with internet access around the world could potentially read their work. This fact motivated them to do their best and to consider their audience.

Finally, I was happy that students had the chance to create something that could help other students. Their results of their hard work over the course of the semester are visible and useful. The learning experience doesn´t stop at the end of the semester, but is shared with others. It is also a lasting example of their skills that they could highlight in the future.

My goal in leading students to create their own textbook was to help them learn the tools of literary research and give them an audience beyond the classroom or the campus. In small groups, students chose one of the texts studied in our Introduction to Hispanic Literature and Culture course and created a critical edition, complete with introductory information about the author, time period, and literary context; footnotes annotating various aspects of the text itself; and a bibliography for further study.

With the help of two undergraduate research assistants, I uploaded the results into Pressbooks, where it is downloadable and accessible in many formats. Now the first edition of the anthology is available for students of Hispanic literature, and I am working on a second edition, with the help of the Rebus Community, that incorporates critical editions made by students at other institutions.

My goal is for the AALH to continue expanding and become a go-to, open-access resource for anyone who wants to know more about Hispanic literature and culture.

For more information:

Julie Ward joined the faculty of the University of Oklahoma in 2014 as Assistant Professor of 20th- and 21st-Century Latin American Literature. She holds a PhD in Hispanic Languages and Literatures from the University of California, Berkeley (2013). Her current research focuses on the representation of the real in contemporary Latin America.

The Spanish Language and its Cultures in Perspective

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Photo credit: Sonia Balasch Creative Commons License

From the Editor: This is a guest post about a new set of openly licensed activities “The Spanish Language and its Cultures in Perspective”, by Sonia Balasch (Eastern Mennonite University), Alexia D. Vikis, Lisa M. Rabin, and Colleen A. Sweet (George Mason University).

This virtual space offers free access to nine original lessons that are oriented towards the teaching and enrichment of intermediate-level students of Spanish. Each lesson consists of readings that are written in Spanish and short, communicative activities. In its totality, these materials or open-access educational resources call upon critical thinking through eight themes closely tied to the Spanish-speaking world.

Coordinate with license agreements for open-source educational resources (identified in English as OER, or open educational resources), teachers and students are welcome to make use of these materials. Even more important, we hope that the adoption of these shared lessons can serve as a point of departure for enriched classroom discussions on Spanish-language culture, especially in the United States where Spanish has a long historical presence and exists in myriad, dynamic sociolinguistic contexts.

Spanish co-exists with other native languages in three continents (America, Africa and Europe). Whether officially accounted for or not, the many different voices and sociolinguistic histories of Spanish reverberate and move audaciously across the vast geography of the Americas. In The Spanish Language and its Cultures in Perspective we cover such diverse themes as:

  • The history, varieties and current profile of Spanish in the United States
  • The Spanish-language press in the United States
  • Youth’s courageous resistance to entrenched dictatorial regimes in 20th-century Latin America
  • The encounter of Catholicism and other religious traditions in Latin America
  • The overwhelming force of globalization in the Latin American regions
  • The mass media as vehicles of power and resistance
  • The long history of Latinx in the United States
  • The contrapuntal relationship of country and city in the modern context

All of the lessons of The Spanish Language and its Cultures in Perspective have been successfully tested in two courses of intermediate Spanish (Spanish in Context I and Spanish in Context II) that are taught at George Mason University’s main campus in Fairfax, Virginia. Lessons for these courses were grouped in two sections, as the following diagram shows.

The lessons of group 1 formed the backbone of the course Spanish in Context I, while those of group 2 sustained the course Spanish in Context II. However, because each lesson was created independently, they may be put to use in the ways in which teachers themselves find them beneficial to their classes. In the end, the key goal of these lessons is to engage with themes that are rarely covered in intermediate courses of Spanish that we teach in the United States. In the best of all cases, students and teachers will build fruitfully on the critical perspectives that they are exposed to in The Spanish Language and its Cultures in Perspective.

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Creating OER makes sharing ideas, materials and methodology possible!

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Photo credit: flickr user Hansol Creative Commons License

Editors note: This post was written by COERLL partner Jeannette Okur, and originally published in Tex Libris, the blog from the libraries at the University of Texas at Austin, for a special Open Education Week series.

For a year and a half now, I have been designing and piloting an OER textbook and online curricular materials designed to bring adult learners of modern Turkish from the Intermediate-Mid/High to the Advanced Mid proficiency level. The textbook, titled Her Şey Bir Merhaba İle Başlar (Everything Begins With A Hello), will – hopefully – be available on the UT Center for Open Education Resources and Language Learning (COERLL) website in Fall 2019; and the complementary series of primarily auto-correct listening, viewing, reading and grammar exercises and quizzes will be made available on a public Canvas course site. This new set of OER materials is aligned with the ACTFL standards for Intermediate- and Advanced-level communicative skills and intercultural proficiency descriptors, and also reflects my department’s (and my personal) commitment to blended instruction and the flipped classroom model. I’ve now designed five thematic units that promote the following pedagogical goals:

  • Introduce the learner to culturally and socially significant phenomena in Turkey today.
  • Introduce the learner to various print, audio and audio-visual text types aimed at native Turkish audiences and guide them to use (and reflect on) the reading, listening and viewing comprehension strategies needed to understand these Advanced-level texts.
  • Engage the learner in active recognition and repeated practice of new vocabulary and grammar items.
  • Guide the learner through practice of oral and written discursive strategies specific to the Advanced proficiency level.
  • Balance the four communicative skills.
  • Balance seriousness and fun!

I’m excited about OER’s potential to transform students’ and teachers’ experiences with Less Commonly Taught Languages (LCTL) like Turkish. A readily accessible and modifiable OER for this level of Turkish language instruction, in particular, makes a whole lot of sense, because the for-profit textbook model is a non-starter! In other words, because no one can make a profit off of Turkish language teaching materials outside of Turkey; few of the teaching materials that U.S.-based Turkish language instructors design ever get published or shared. In fact, creating an OER for Turkish-language learning has made sharing my ideas, teaching materials and methodology possible!

I believe wholeheartedly that being able to share and modify OER teaching/learning materials via online platforms leads to collaboration among educators and eventually to better educational products and practices. I hope that other Turkish language educators, upon engaging with my OER materials, will learn a few small but important lessons from me, namely:

  • Adults learning Turkish need help practicing and learning vocabulary, not just grammar.
  • Identifying and discussing cultural differences/commonalities on the basis of actual socio-cultural phenomena captured in texts aimed at target culture audiences is key to increasing learners’ cultural proficiency, especially when those learners are not learning in the target culture.
  • The blended instruction/flipped classroom model really works because engagement with reading, listening and grammar materials at home gives learners more time to practice SPEAKING in class (or with a tutor).

I also look forward to learning from the colleagues and learners who engage with my materials in varied settings beyond the University of Texas at Austin.

Dr. Jeannette Okur has coordinated the Turkish Studies program at the University of Texas at Austin since 2010. Drawing upon extensive experience teaching not only Turkish, but also German and ESL, she continues to develop new curricular materials for Turkish language instruction at the Novice, Intermediate and Advanced proficiency levels.

Open Access at the Core of Materials Development for LCTLs

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Photo credit: Orlando Kelm

Editors note: This post was written by longtime COERLL partner Orlando Kelm, and originally published in Tex Libris, the blog from the libraries at the University of Texas at Austin, for a special Open Education Week series.

Open Access seems to be at the core of materials development for those of us who teach what is called LCTLs (less-commonly taught languages). In academic settings, publishing companies are less likely to take a chance on publishing materials where the market is small. There have been multiple occasions when I have been told by publishing companies something similar to, “If you could do this project for us in Spanish we would be interested, but unfortunately the market in Portuguese is not big enough to take on such a project.” Although it has been discouraging to hear such replies, it was also understandable.

However, in today’s world of innovative technologies, online, electronic, digital, social media, video and podcasts, Open Access pedagogical materials in foreign language, especially for the less-commonly taught languages, have provided a boon of opportunities. Here at the University of Texas at Austin, for example, the College of Liberal Arts (LAITS), the Center for Open Educational Resources and Language Learning (COERLL) and the Center for Global Business have all been supportive of our development of online and open access materials for those who want to learn Portuguese. COERLL helps maintain our BrazilPod site, where all our Portuguese materials are available for everyone, anytime, Open Access, and with Creative Commons license. Here’s the URL: https://coerll.utexas.edu/brazilpod/index.php.

This site contains a number of videos, podcasts, exercises, transcripts, translations, and a number of other materials. We have seen how users, both teachers and private learners, have integrated, modified and added these materials to the study of Portuguese. Some access the materials online, others embed content into exercises and quizzes, others create ancillary activities for organized courses. Open Access has revolutionized the way that learners of LCTLs share materials and expose learners to content.

It also seems a bit ironic when we think of the initial rejection from publishing companies. If they were to approach us today to publish in traditional formats, chances are that we would react by saying, “Thanks, but our ability to share with Open Access works for us better than the traditional publication methods.”

Orlando Kelm was born in Calgary, Alberta, Canada but raised in Salt Lake City, Utah. He earned his Ph.D. in Hispanic Linguistics at the University of California at Berkeley in 1989 and then went straight to the University of Texas at Austin, where he has been ever since.